- Paperback: 336 pages
- Publisher: Arthur A. Levine Books (July 25, 2017)
- Language: English
- ISBN-10: 133821666X
- ISBN-13: 978-1338216660
- Product Dimensions: 5.2 x 1 x 7.5 inches
- Shipping Weight: 227 g
- Average Customer Review: Be the first to review this item
- Amazon Best Sellers Rank: #1.674 in Books (See Top 100 in Books)
Harry Potter and the Cursed Child, Parts One and Two: The Official Playscript of the Original West End Production Paperback – 25 July 2017
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Praise for the playscript of Harry Potter and the Cursed Child Parts One and Two
"A compelling, stay-up-all-night read... The suspense here is electric and nonstop." -- The New York Times
"Fans can breathe easy knowing this play has been respectfully and lovingly wrought. Tensions thrum, spells fly but at center stage, as always in the Potterverse, is the overriding importance of love and friendship, especially in the face of danger." -- Booklist, starred review
"Whether encountered on stage or on the page, this trip back into the magical world of Hogwarts is thrilling." -- Telegraph
About the Author
J.K. Rowling is the author of the seven Harry Potter novels, which have sold over 450 million copies and have been translated into 79 languages, and three companion books originally published for charity. She has also written The Casual Vacancy, a novel for adults, and, under the pseudonym Robert Galbraith, is the author of the Cormoran Strike crime series. In 2016 J.K. Rowling made her screenwriting debut and was a producer on the film Fantastic Beasts and Where to Find Them, a further extension of the Wizarding World and the start of a new five-film series.
Jack Thorne writes for theater, film, television, and radio. His theater credits include Hope and Let the Right One In, both directed by John Tiffany, Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic & Theatr Clwyd co-production, The Solid Life of Sugarwater for the Graeae Theatre Company, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include War Book, A Long Way Down, and The Scouting Book for Boys. For television his credits include The Last Panthers, Don't Take My Baby, This Is England, The Fades, Glue, Cast-Offs, and National Treasure. He won BAFTAs in 2016 for Best Mini-Series (This Is England '90) and Best Single Drama (Don't Take My Baby), and in 2012 for Best Drama Series (The Fades) and Best Mini-Series(This Is England '88).
John Tiffany directed Once for which he was the recipient of multiple awards on Broadway, in the West End, and internationally. Other recent credits include The Glass Menagerie at A.R.T. and on Broadway, EIF, and the West End, and The Ambassador at BAM. As Associate Director of the Royal Court, his work includes The Twits, Hope, and The Pass. He was the director of Let the Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End, St. Ann's Warehouse, and toured internationally. His other work for the National Theatre of Scotland includes Macbeth (also Lincoln Center and Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae (also Lincoln Center), Elizabeth Gordon Quinn, Home: Glasgow, and Black Watch, which toured internationally and for which he won the Olivier and Critics' Circle awards. He was Associate Director of the Traverse Theatre from 1996 to 2001, Paines Plough from 2001 to 2005, the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year.
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Most helpful customer reviews on Amazon.com
Let's be clear...this was not written by JK...this is based on her series. And that becomes terribly clear very early on. Additionally, the number of names that are dropped is astronomical! Anyone worth knowing in the Potterverse is up front and counted. As in main character. The story, the plotline...it meanders all over the place that the reader wonders if the writers had a clue to start with or if it was just to "stand on the shoulders of geniuses." There was no way this was going to fail...none. The generation that grew up reading Harry's stories are now buying their own books and financing their own plays. Their imagination was set free with JK's works and personally I think that was one of her greatest gifts...engaging our imagination. This reads like fan fiction, poorly written fan fiction and not even with any good ships!
Your writers were so preoccupied with whether or not they could, they didn’t stop to think if they should.
Don't do it. Keep Harry, Ron, Hermione, McGonagall, Ginny alive in your memories instead.
I can handle the fact that it's written as a play, I was expecting this. I was fully prepared to accept this. I waited all night for this to be released to my kindle (it's 3 a.m and I've just finished). I sped through the cursed child and my final thought was, this was disappointing .
I'm skeptical of how much jk rowling actually contributed to this. I get more of a harry potter vibe from the fantastic beasts trailer than this entire book. The plot was bad, almost everything was bad. It was like a poorly written fanfic.
It sucks that I'm saying this because harry potter is a part of soul. I went into this thinking it was everything I'd ever hoped for.
I'm not saying don't buy the book, by all means buy it. Read it. See for yourself. I'm not being cynical, rowling is the queen of my world. This is the first and likely only bad review I will give regarding her.
Just be warned, this does not feel like harry potter. This was not intricate, well excuted, thought out, or clever. The characters were not true to themselves. I think the best way to go into reading this and saving yourself from despair is to read it as a fanfic and not the true works of rowling. It would be tolerable had her name not been involved, I expected so much more.
And now I will try to purge this book from my memory and continue to live in her past works of art. I still have big hopes for fantastic beasts and that's enough for now.
At this point they are just trying to make money and don't care about the fans or character authenticity or accuracy. They were all weak characters, and not the young, charming, inexperienced weak, that you'd expect from past writings. They all came across as middle aged disgruntled Muggles, lol. Too real for me - no charm.
I don't think Rowling even read it. If she did, she should be ashamed.
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