- Paperback: 288 pages
- Publisher: John Wiley & Sons Inc; 1 edition (October 23, 2015)
- Language: English
- ISBN-10: 1119002257
- ISBN-13: 978-1119002253
- Product Dimensions: 7.3 x 0.7 x 9.2 inches
- Shipping Weight: 680 g
- Average Customer Review: Be the first to review this item
- Amazon Best Sellers Rank: #1.849 in Books (See Top 100 in Books)
Storytelling with Data: A Data Visualization Guide for Business Professionals Paperback – 23 October 2015
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"This book is excellent value for money and recommended reading for Business Analysts and Project/Programme managers or anyone who finds they struggle to achieve the impact they hope for when attempting to communicate their reasoning and analysis." (BCS, February 2016)
From the Back Cover
praise for storytelling with data
"Storytelling with Data is a superbly written, masterful display of rare art in the business world. Cole Nussbaumer Knaflic possesses a unique ability--a gift--in telling a story through data. At JPMorgan Chase, she has helped improve our capabilities to explain complicated analysis to executive management and the regulators with whom we work. Cole's book brings her talents together in an easy-to-read guide with excellent examples that anyone can learn from to encourage smarter decision-making."
--Mark R. Hillis, Chief Risk Officer of Mortgage Banking at JPM Chase
"We have so much data that it can be hard to get people to pay attention to our critical findings. Cole Nussbaumer Knaflic taught us valuable lessons in her workshop and it is fantastic to see these expanded upon in Storytelling with Data. My team is already using the lessons Cole teaches to move people to action as they see new pearls of understanding and make a difference in the lives of others. Now others can, too!"
--Eleanor Bell, Director of Business Analytics at Bill & Melinda Gates Foundation
"There is something lovely about being consistent with your own teachings. Cole Nussbaumer Knaflic accomplishes that with her first book. She is an advocate for clarity and concision in visualization, and her book is as clear, concise, and practical as it gets. If you are a beginner in visualization, or if you struggle to produce good charts in your everyday job with tools like Excel, Tableau, Qlik, and the like, this is a great place to start learning the core principles."
--Alberto Cairo, Knight Chair in Visual Journalism and Professor of Visualization at the University of Miami, and author of The Functional Art
"Data slides are not really about the data, they are about the meaning of the data. Cole Nussbaumer Knaflic understands this and has written a straightforward, accessible guide that will help anyone who communicates with data connect more effectively with their audience."
--Nancy Duarte, CEO at Duarte, Inc. and bestselling author
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Most helpful customer reviews on Amazon.com
While I think the author wrote this for people who do presentations in any quantitative field for a living, this book should be required reading for graduate students preparing to defend a dissertation or thesis.
well served by this book by Cole Nussbaumer Knaflic. Prerequisites are
minimal: there is almost no mathematical content and no use of any but
the most elementary statistical methods. Knaflic's encouraging message
is that MS Excel and PowerPoint can be quite enough software for good
graphics, but you will need to go beyond the defaults and work at the
Almost all the examples are of very small datasets already to hand with
two-way structure. 2 variables for 12 months and 5 products for 7 years
are typical sizes. In practice when analysing data it can be hard work
deciding what methods to use and reducing a mass of raw data to a
concise summary. These steps, sometimes most of a project, are here
assumed already done.
The subtitle flags a focus on "business professionals"; the content
tactfully implies junior people presenting with PowerPoint to
time-challenged bosses at brief meetings. Seemingly few write reports to
be read any more, or use any other presentation software.
Knaflic is excellent on the need to keep things simple. She has a good
eye and sound logic on what looks and works well and what does not.
Examples show how mediocre graphs can be improved by reducing clutter,
killing the key, better use of color, and similar standard tricks.
Horizontal bar charts are usually more readable than vertical, and pie
charts and a false third dimension are best avoided: these points have
been well made many times, yet do deserve forceful repetition. Various
kinds of bar and line charts are her main work-horses.
Sometimes the discussion seems a little contrived, as poor graphs are
set up to be shot down, but that's often what convinces. Readers should
be on the author's side as she encourages us towards effective and
tasteful graphics. Her combinations of blue for data deserving emphasis
and grey for data providing context -- or of blue and orange for groups
to contrast -- are good design patterns for experienced analysts as well
as outright beginners.
The closing chapters are more long-winded and repetitive, but do include
small gems. A splendid case study on avoiding spaghetti graphics (lots
of tangled lines) stands out, and the problem and the ideas deserved
I always find it disappointing when datasets are fabricated or
sufficiently anonymous that they might as well be. People care most
about their own data which an author cannot provide, and confidentiality
constraints often bite, but real data examples are still generally
preferable to fake. Too many examples here are variants on Products A to
E or Features A to O. Unfortunately an outrageous example of a bar
chart from a well-known U.S. television news network (p.50) seems all
What's not here includes Cleveland dot charts, histograms and box plots
even among the staples of good introductory statistics courses, let
alone (say) use of logarithmic scale, always one of the first graphical
devices for many sciences. So if you want something with more
statistical bite or depth, you need to look elsewhere. Naomi Robbins'
excellent, no nonsense Creating more effective graphs
would enable you to go further.
As in any first edition there are some small slips and exaggerated
claims. 40% is not a majority (p.5). There is confusion between number
and percentage on p.39. Any rule that "bar charts must have a zero
baseline" (p.52) is simplistic. It is quite correct that bar charts
should encode departures from some sensible reference level. (The
television network responsible should have paid attention.) But that
reference level could easily be some value not zero, such as parity
between men and women, or the mean of a variable, or 32 degrees
Fahrenheit to separate freezing and non-freezing temperatures. I
disagree that every dollar amount or percent should be labeled as such
(p.90); that is repetitive clutter such as Knaflic rightly deplores. Nor
is it an absolute principle that every axis needs a title. If the axis
labels are 2008 to 2015, no one should need "Year" to explain what is
happening. Far from being "extremely rare" (p.141), several exceptions
to that principle are included in this book!
A note on style: Inside a very useful book is an even more useful
shorter book struggling to get out. For my taste, the motivational
warm-ups and little anecdotes are often too spun-out or too trite. Good
graphics should be presented as illustrations within a good story: a key
point, but not one that required a long chapter with digressions on Red
Riding Hood or on Aristotle on drama, or advice from a junior high
school teacher. A tighter copy-editor would have signalled that
"leverage" (used as a verb about 70 times) was too much of a personal
favorite, while "de-emphasize" for "tone down", "utilize" for "use" and
"incredible" for things all too credible are among several other
An easy solution is to skip and skim: if a book is on graphics, you can
always just look at the graphics. In this case, Knaflic has written a
worthwhile book that, small details aside, does well what it tries to
You could implement these concepts by hand. Learning how to use PowerPoint well doesn’t mean you could give an excellent presentation to the audience. You must display your idea like a well-trained designer and tell a story like a Hollywood script director.
So, the author borrows some professional elements from design and script-writing such as affordance, acceptance and storyboarding. In the chapter of “case studies”, the author demonstrates how she would fix the not-so-good graphs by the concepts covering in this book.
Telling an emotional or persuasive story using data is a hard work. If we don’t consciously recognize that this takes time to do well. We run the risk of losing the potential opportunity to drive change and action.
This is the final step the audience will see. We should devote our time to storytelling with data.